Lady Gaga and Michael Polansky arrive at a Lady Gaga Fan Event Harlequin Listening Party

Following the London premiere of ‘Joker: Folie à Deux’, Lady Gaga took her press tour to another level with a trio of head-turning, boundary-pushing outfits. If there was any doubt that she is back to method dressing, her latest looks only solidify that she has fully embraced the chaos, drama, and eccentricity that comes with being Lady Gaga.

Lady Gaga and Michael Polansky arrive at a Lady Gaga Fan Event Harlequin Listening Party

Harlequin Listening Party Arrival: A Nod to ’70s Glam and Harlequin Fantasy

Lady Gaga’s first look, a ‘70s-inspired Act 1 striped dress paired with Emilio Cavallini tights and Marc Jacobs platform boots, was a masterclass in vintage-inspired, theatrical fashion. The harlequin court jester vibes were palpable, especially with her bold makeup and striking new red hair. From the bold stripes to the harlequin tights, this look screamed method dressing. It’s clear that Gaga is leaning into the ‘Joker’ theme, but was this high fashion or costume?

For anyone who remembers the Roxy nightclub days of the ’80s, this outfit was pure nostalgia. It felt like a throwback to an era when dressing up meant stepping out in something unexpected and daring. Gaga’s outfit, complete with towering boots, didn’t just pay homage to that spirit—it revived it. Stefani Germanotta may have officially left the chat, but Lady Gaga is very much in the building, unapologetically bold and completely herself.

Lady Gaga and Michael Polansky arrive at a Lady Gaga Fan Event Harlequin Listening Party Lady Gaga and Michael Polansky arrive at a Lady Gaga Fan Event Harlequin Listening Party

Harlequin Listening Party Departure: Chaos Reigns Supreme

Of course, trust Gaga to switch things up for her exit. This Ida Immendorff patchwork sleeveless playsuit, layered over laddered red tights and runway-printed holdups, was more chaotic than her entrance look—and it was all the better for it. With her silver Marc Jacobs boots stomping the streets, Gaga exuded peak “chaotic energy,” a reminder that fashion for her is not just an accessory but an extension of her persona. This was a heady mix of punk, performance art, and couture, all mashed together into one unforgettable exit outfit.

Ida Immendorff
Lady Gaga  ‘Joker: Folie à Deux’ London PhotocallLady Gaga  ‘Joker: Folie à Deux’ London Photocall

London Photocall: Understated Vintage

Surprisingly, Lady Gaga’s final look—an understated vintage Muto Little ‘70s dress—was the least exciting of the three. I think it’s because of the Alessandra Rich-recalling elements such as the silhouette, print and the collar, that this didn’t feel like a natural fit for Gaga. While she attempted to inject her own identity into the look with her signature Marc Jacobs Kiki boots, the ensemble ultimately felt flat compared to the high drama of her previous outfits. The dress lacked the boldness and theatricality we’ve come to expect from her, leaving it a rare miss in an otherwise captivating style series.

Celine shades completed the last two looks.

Credit: Neil Mockford/GC Images / Ricky Vigil M / Justin E Palmer/GC Images / Gareth Cattermole/Getty Images

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