
Le Grand Dîner Du Louvre in Paris brought together an elite guest list draped in couture, archival treasures, and experimental fashion choices. But while some delivered high drama, others left us questioning whether the fashion gods were truly on their side.
A unicorn moment, quite literally
Natasha Poly served pure fantasy in a Cheongsam-inspired Thierry Mugler Fall-Winter 1997/1998 Haute Couture gown from the Chimères collection. Mugler’s exploration of transformation and mysticism was on full display with embroidered flying unicorns and other mythical creatures. Natasha wisely kept the styling simple, letting the gown do all the work.




A Modern day Haute Couture Fairytale
Zoey Deutch gave us a modern-day Little Red Riding Hood moment in this breathtaking Giambattista Valli Fall 2024 Haute Couture high-low chiffon gown—easily one of my favorites of the night. With impeccable styling and a streak of red carpet hits following her Vanity Fair Oscar Party look, she’s proving she’s in her fashion prime.




Red hot… or just red?
Gemma Chan opted for the red, floor-length version of the Jason Wu Fall 2025 dress that Naomi Scott wore to her Smile 2 LA premiere. But where Naomi’s take felt edgy and modern with a shorter length, this iteration doesn’t quite land, and the end result is kind messy to me.




RECYCLED
couture
Gigi Hadid made a statement in an upcycled Moschino gown, created by fusing three different dresses into one. It’s an admirable step toward sustainability, and she certainly wears it with confidence. But visually, does it work? That’s up for debate. The patchwork effect is intriguing, and I absolutely love the idea as well as the end result, but some might feel this look like a DIY project rather than a cohesive design.


Tailored for… someone else?
Joseph Quinn’s McQueen suit feels like it belongs to a different man entirely. It’s giving “borrowed from an older, broader friend.” This misses the mark in both fit and personality.


Lost in the shadows (literally)
As much as I want to blame the lighting for completely washing out Karen Elson’s McQueen gown, this shade of grey was never going to do her any favours. It lacks the depth and drama that a redhead of her caliber deserves.


Wig game strong, label loyalty stronger
Michelle Yeoh loves a new wig moment, and she debuted another fresh look for the night. If only she switched up her designers as often as her hairstyles. Despite the trash bag chic fabric, this Balenciaga dress fits the moody tone of the evening.


Parisian chic, nighttime incognito
Philippine Leroy-Beaulieu followed the same Balenciaga formula, opting for a black strapless gown made from similar fabric. The opera gloves and shades (yes at night) elevated the look into her signature Parisian-chic territory.


What if we just… removed the black part?
Noémie Merlant’s Louis Vuitton blue column gown had potential, but the black satin geometric neckline feels like an afterthought. Wouldn’t this have been so much better either without the black detail or with it reimagined in embellished blue?


Sparkling from head to toe
Rosie Huntington-Whiteley was the undisputed queen of shimmer, donning a black corseted sequin Balenciaga gown. It’s sleek, it’s sexy, and it’s pure Hollywood glamour. With Tiffany & Co. jewels as the finishing touch, Rosie reminded us why she’s one of the most reliable red carpet stars, even in Balenciaga.
Who stands out for you?
Credit: Marc Piasecki/Getty Images / Pascal Le Segretain/Getty Images / Victor Boyko/Getty Images / Vogue.com / Patrice Stable / Thibaud MORITZ / AFP
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