‘Bread & Roses’, a poignant documentary about women in Afghanistan under Taliban rule, which is directed by Sahra Mani and produced by Jennifer Lawrence, premiered at the Hammer Museum on Thursday in Los Angeles, where Jennifer—who is expecting her second child—debut a striking start to Part Deux of her maternity style with a Christian Lacroix Fall 2006 Haute Couture gown.
Christian Lacroix, the original maximalist, built his legacy on bold opulence, clashing patterns, and luxurious, artistic fabrics. His “more is more” philosophy essentially defined his era of haute couture. But as we know, maximalism isn’t Jennifer’s forte. Instead, she selected a Lacroix elegant black draped design gown that was classic, surprisingly modern, and perfectly in tune with her style.
The gown’s simplicity made it captivating: sheer sleeves, a jet-black jewel accent, and an enchanting fluidity added a touch of quiet drama without veering into excess. This wasn’t about clashing patterns or bold textures; it was about grace, refinement, and the timeless appeal of black.
For those who, like me, share a love for Christian Lacroix and appreciate efforts to preserve his legacy, this gown is proof that the essence of Lacroix can be translated into the minimalist elegance that Jennifer embodies so well. While some might long for the more extravagant side of Lacroix, there’s something undeniably graceful in how Jennifer has presented his artistry to suit her personal aesthetic.
Stylist: Jamie Mizrahi. Hair Stylist: Gregory Russell. Makeup Artist: Georgie Eisdell.
Credit: ROBYN BECK/AFP via Getty Images / Vogue.com
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