FKA twigs attends the world premiere of "The Crow" in vintage Armani.

FKA twigs attends the world premiere of "The Crow" in vintage Armani.

FKA twigs has always been a red carpet enigma, known for her daring, avant-garde style that pushes the boundaries of fashion. But for the New York premiere of Rupert Sanders’ remake of the 1994 cult classic ‘The Crow’, where she stars alongside Bill Skarsgård as Shelly Webster, the singer-actress surprised everyone by opting for a vintage Giorgio Armani halter black slip dress that embodied quiet elegance.

By FKA twigs’ standards, this look was a departure from the experimental ensembles we’ve come to expect from her. The sleek, minimalist dress allowed her to channel a different kind of sophistication, one that was more restrained yet equally impactful. The dress itself was a masterclass in understatement, proving that sometimes less really is more, especially when it comes to making a statement on the red carpet.

FKA twigs attends the world premiere of "The Crow" in vintage Armani.FKA twigs attends the world premiere of "The Crow" in vintage Armani.

But true to form, FKA twigs didn’t abandon her signature edge entirely. Instead of letting her outfit do all the talking, she shifted the focus to her hair—a half buzz cut accessorized with a three-pronged claw. It’s a bold look that, while unconventional, only she could truly pull off. Does it look a little strange? Perhaps. It’s not the kind of style most people will be asking their hairdresser for anytime soon, but on FKA twigs, it feels authentic and deliberate, adding an intriguing contrast to her otherwise understated ensemble.

Even her accessories, like the wood bangle and finger-molded clutch, were on the subdued side, further emphasizing her shift towards a more refined, cinematic elegance. It’s a move that recalls Lady Gaga’s own transformation when she began promoting films—separating the persona of the entertainer from that of the actress. And honestly, I’m here for it.

This more muted approach allows FKA twigs to share the spotlight with her co-star Bill Skarsgård, rather than commanding it entirely for herself. It’s a subtle yet powerful way to signal that she’s stepping into a new role, not just in the film but in her public image as well. In doing so, she’s showing us a different side of her artistry, one that is just as captivating as her more experimental self.

FKA twigs’ look at ‘The Crow’ premiere wasn’t just about the dress, the hair, or the accessories—it was about the evolution of an artist who knows how to keep us all on our toes.

Credit: Cindy Ord/WireImage / Dia Dipasupil/Getty Images

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