This week’s ‘Saturday Night’ premiere at the Toronto Film Festival brought some standout red carpet looks. While some embraced archival elegance, others pushed the boundaries of modern artistry. Here is a look at what Ella Hunt, Kaia Gerber, and Cory Michael Smith wore.
A Bloom Too Big?
Ella Hunt made a bold statement in a Danielle Frankel Anita gown from the Fall 2024 collection, proving that bridal designers aren’t confined to the wedding aisle. Danielle Frankel’s signature romanticism is undeniable here—soft, dyed ombre tulle that floats with a sense of whimsy and grace. But this is no wedding gown.
The gown’s bustier, with its nipped waist and dramatic structured hips, brings an artistic flair that challenges traditional notions of femininity. Topping it all off is a massive hand-crafted clay rose bloom at the bust, sculpted from layers of tulle. While the craftsmanship is breathtaking, the size of the bloom might be a bit much. It dominates the dress, almost distracting from the subtle beauty of the ombre tulle.
I’m torn. The colours are stunning, and the structured silhouette is pure modern art. However, the bloom is so blooming big it veers into costume territory. A smaller accent could have kept the look from feeling like it was trying too hard.
Archival Chic
Kaia Gerber proved that some looks are truly timeless, stepping out in a black archival Donna Karan dress from 2003. The plunging neckline, revealing just the right amount of skin with its ab-baring cut, gives the dress a sleek, seductive edge without feeling forced. The simplicity of the black fabric allows the silhouette to shine, and Kaia’s innate poise elevates the entire look.
Effortless is the key word here. The 2003 design feels just as relevant today as it did then, a testament to Donna Karan’s timeless vision and Kaia s ability to make the look feel fresh and modern. This was a case of simplicity speaking louder than any grand design.
Sophisticated but Misplaced Accessory
Cory Michael Smith’s Dior Men Summer 2025 grey suit exudes effortless sophistication. The suit’s subtle stripes added texture without overwhelming the look, while the grey cashmere tank top underneath softened the formality, making it feel modern and relaxed.
But then, there’s the brooch. The golden brass Dior brooch felt oddly out of place—like an afterthought in an otherwise well-composed look. It’s not that brooches are inherently bad, but this one lacked synergy with the ensemble. Perhaps a more understated accessory would have done the job better, or no accessory at all. I’m leaning towards the latter. Despite this Cory’s sartorial effort still leaned on the side of polished and sharp.
Simplicity Always Wins
Rachel Sennott kept things simple and chic in Balenciaga.
Credit: Sonia Recchia/Getty Images / Danielle Frankel
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